The Great Salesman of Science
Oppenheimer is an intense, angry film that flies in the face of its director's apolitical reputation by Erin M. Brady SAG-AFTRA and the Writers Guild of America are currently on strike at time of publication. Blood Knife unequivocally supports the striking
REVIEW: Huesera: The Bone Woman
Director Michelle Garza Cervera's feature debut expertly mines horror from the pains of motherhood and the travails of gender expectations by Michael Zendejas There’s a lot that makes Huesera: The Bone Woman, Michelle Garza Cervera’s 2022 feature directorial debut, truly impressive. There's
An A.I. Utopia Is No Place For Humans
The A.I. future we’re being offered has little use for human labor—or human beings at all by Christopher Pearce Over the last year, an unlikely path to automated utopia has come into view. Built on an endless amount of stolen artistic labor,
The Fanatic: Creation, Destruction, & Belief – A Video Essay
A wide-ranging analysis of the scifi films Noah (2014) and Prometheus (2012) by Josh McNamee Camus said that there was only one properly serious question in philosophy, and that is suicide. But the question of whether we should embrace annihilation is inherently
The Scent of Knowledge
AI isn’t the end of knowledge. It’s the birth of meta-knowledge. by Kurt Schiller // Illustration by Vin Tanner Technology has always had an uneasy relationship with the truth. The birth of the printing press was accompanied not only by an upswing in