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ISSUE FIVE ISSUE FIVE

TO DIE AND LIVE ANEW_

A year ends and the future rolls on, uncertain. Lost possibilities echo through history with the potential to kill and create, while lurid beasts circle distant fires and rebel against the machinery of capital.

HOW HORROR MAKES ITSELF UNGOVERNABLE_

BY R.S. BENEDICT — Geek culture has come to dominate the mainstream, bringing with it consolidation, commercialization, and a dreary ossification of art's ability to challenge and shock. Meanwhile, horror films continue to flourish artistically and culturally. What is it about genre media's oft-unwelcome cousin that makes it so resistant to mass commercialization?

DRUMS IN THE DARKNESS.

Night falls and we gather close to the electrine fire, and warm our hands upon the blast. This month our playlist blends the sounds of dark woodland and crushed snow with the distant throb of wakeful machines.

“A child of nine or ten sits at the edge of the crowd, alone, playing on a wooden flute. People pause to listen, and they smile, but they do not speak to him, for he never ceases playing and never sees them, his dark eyes wholly rapt in the sweet, thin magic of the tune.”

— The Ones Who Walk Away From Omelas, Ursula K. Le Guin

ARTICLES ARTICLES

FEATURES_

Each moment kills the past and beckons the future. Dreams fade, and are born anew on their final breath. This month we celebrate the end of one dream and the beginning of another—the rise of new technology, the comings and goings of our visions of the future, and the terrible gravity of empire.

THE FUTURE DIED IN 1999_

BY COLIN BROADMOOR — The once-anarchic promise of Cyberpunk has dwindled to empty cynicism, a casualty of faulty futures and the forgotten promise of technology. What happened—and can we restore the hacker's revolutionary potential?

``THE OLD WORLD IS DYING, AND THE NEW WORLD STRUGGLES TO BE BORN.``

ANTONIO GRAMSCI
STAY SHARP STAY SHARP

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